(Reblogged from 4gifs)

alittlebitofdisneymagic:

forgettingfilm:

saoritsukiyaori:

hatcadet:

juodaanviinaa:

fuzzypigs:

claybabay:

NEED MONEY FOR COLLEGE

NEED COLLEGE FOR JOB

NEED JOB FOR MONEY

WAHT

WHO THE FUCK DESIGNED THIS SYSTEM

NEED EXPERIENCE FOR JOB

NEED JOB TO GET EXPERIENCE

NEED CAR FOR JOB

NEED JOB FOR CAR

GOTTA EAT TO LIVE
GOTTA STEAL TO EAT
TELL YOU ALL ABOUT IT WHEN I GOT THE TIME

ONE JUMP AHEAD OF THE SLOWPOKES

ONE SKIP AHEAD OF MY DOOM

NEXT TIME GOTTA USE A NOM DE PLUME

image

It got better

(Reblogged from starfleetrambo)
(Reblogged from 4gifs)
(Reblogged from starfleetrambo)

phoenixfire-thewizardgoddess:

ilovecoffeeandcats:

hogwartsisbiggerontheinside:

toanuparu:

MY MOM HAS THIS NASTY THING WITH HER EYES RIGHT

WELL ANYWAY SHE HAD EYEDROPS

BUT THEY GAVE HER EYE AN ALLERGIC REACTION

AND IT CAUSED HER EYE TO GLOW IN THE DARK

AND SHE SAYS SHE ACTUALLY HAD GREEN/PURPLE NIGHT VISION

MY MOMS COOLER THAN YOURS DOES UR MUM HAVE NIGHTVISION? NO DIDNT THINK SO

This could be the weirdest superhero origin story.

My mom is dead.

…thanks for chiming in there, Batman…

(Source: cliffjumparound)

(Reblogged from guugly)

the-disney-elite:

"We promised Disney that in trade of letting us do a gutsier type of movie and take on a different kind of story that was completely original and not based on some legend or fairy tale, that we would do a film that was smaller budget, smaller crew, less time to make it. So it was kind of a new model.

"We didn’t want to dazzle with special effects and shadows and tones all over the characters and go for all this realism or dimensionality.What we wanted to do was go back to the films that inspired us. Films like Dumbo and Bambi. They were a lot more simple in their look and I think they do what 2-D traditional drawn animation does best, which is put up an impression of a storybook that’s come to life. We were not trying to achieve depth and we didn’t want to compete with a 3-D look. We wanted to go back to something that’s sort of rich and textured and you can see the painter’s hand up onscreen. So that’s why the idea of watercolor, which hadn’t been done since the early 1940s on Dumbo was really appealing to us, it had that storybook look to it.”

— Dean DeBlois, giving the back-story for Lilo & Stitch's gorgeous backgrounds.

(Reblogged from animationscenery)
(Reblogged from lone-starrs)
(Reblogged from lone-starrs)

risarei:

finishing a series but still being attached to the story and its characters

image

(Reblogged from lone-starrs)
"It’s a deer. "

(Source: theanimatedwonders)

(Reblogged from animationscenery)